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Adobe MAX: After Effects CC

After Effects CC
Adobe MAX, a ‘creative conference’ where Adobe shows off new stuff in their applications as well as techniques and ideas, is going on right now and the biggest hype this year is the Creative Cloud. Their updates to Photoshop and other applications are fantastic, but what I really wanted to focus on is After Effects CC.

What is After Effects CC?

After Effects CC is Adobe’s next version of After Effects, moving primarily to the Creative Cloud that was revealed last year. Think After Effects, but with a more global network where people can share things easier, sync preferences, update more frequently with new features, and grab all the Adobe goodies in one monthly or annual package.

Aside from the Creative Cloud part, After Effects CC (Coming June 17th) packs quite a few improvements as well:

Cineware

Cineware is the long-awaited bridge between After Effects and Cinema 4D. You can now import native MAXON Cinema 4D files straight into After Effects, have access to the different maps, layers, cameras, and more. Essentially, you can create something in Cinema 4D, bring it into AE and work on it immediately without having to render a thing. You can make modifications in Cinema 4D, save it, and it’ll automatically update in AE. This is huge! Previously, we had to use a plugin like Element 3D to work with C4D files, but it was very limited because we couldn’t bring in animated C4D files (unless you exported as a OBJ sequence). Now we have full integration with Cinema 4D natively and can do all our compositing and such straight inside the new After Effects CC with all the animation/textures intact.


Cinema 4D Lite

Remember Mocha, the program bundled with After Effects? Well now Cinema 4D Lite is also bundled with After Effects, giving you a 3D arsenal straight out of the box. Essentially, it’s a basic version of Cinema 4D with some of features taken out, but if you have Broadcast, Studio, or any other version of C4D, those will still work with After Effects CC normally.

Refine Edge

The Roto Brush just got better, now with the Refine Edge Tool. Think of the Refine Edge abilities in Photoshop now brought into After Effects CC, something I’m a huge fan of. This will allow for a more precise edge selection and an easier time rotoscoping within AE. Finally!

Pixel Motion Blur

This new effect will allow you to apply more motion blur to your layers, which is fantastic for 3D renders or shots with very little motion blur due to fast shutter speeds. Think of it as AE’s built in version of ReelSmart Motion Blur, which is something I use all the time. It’s great to see this addition to the effect arsenal as CC Force Motion Blur was agonizingly slow. For those of you who don’t have RSMB, this is a great free alternative, now native inside After Effects CC.


Warp Stabilizer VFX

The Warp Stabilizer got a major upgrade as well. You can now select which object or part of your scene you want to stabilize instead of stabilizing the whole shot, which is great for focusing on certain objects.

The End of the Creative Suite

The end of the CS series is here, there will be no Adobe CS7. Instead, Adobe announced that it’s Creative Cloud apps and services will be the future for receiving product updates and new versions. Pricing is roughly $50/month, or $30/month for one year if you own CS3 or newer products in the past.

My Opinions on the Creative Cloud

It’s a great move towards the future and I really dig the way Adobe is approaching it. They’ve made it extremely affordable to get all the Adobe apps and services for one low monthly price. Instead of paying for a product once and getting limited updates for roughly $1000 and then having to upgrade the next year or so, you can now subscribe to the Creative Cloud and get the latest version and update for all your products. This is a no brainer, especially if you use multiple Adobe applications like I do.

Not only do you get the Creative Suite apps, you also get Creative Cloud’s many services bundled with your subscription including cloud storage, syncing, a massive amount of fonts, Behance, Prosite, utilities to better collaborate, and much more. All this is included in your monthly subscription.

To be honest, if you make some sort of living off of AE, the $50/month for just AE is worth it in my opinion. No one should be complaining about getting all the Creative Suite apps and services for that price. Not only that, you can quit your subscription whenever you please and save money. It provides a greater cushion for people who don’t want to shell out $1000 and buy a boxed version of AE that they can’t really return.

I think the Creative Cloud is the future and Adobe has made a great move to push for it the way it did. We’ve moved from burning and ripping DVDs, to Netflix/Hulu for a low cost. We went from downloading music and burning CDs, to Spotify for a low cost. It just makes sense to move from physical boxes to Creative Cloud for a low cost. I know some people feel like they’re renting the program and don’t feel like they’re owning it, but that’s just silly. After Effects is a tool, a tool that changes each year with new features and abilities that you will probably need, so why try to own something when you know you’ll need to upgrade next year or so anyways. It’s a tool, a tool you use to get the job done efficiently, we don’t need to ‘own it’. The fact that the applications are stored locally on your hard drive should give you enough ownership of it. You only need to connect to the internet once a month to check the subscription status. This is a great move!

How About You?

What are your thoughts on the new After Effects CC? How do you feel about Adobe pushing for Creative Cloud? Let me know down below in the comments!

9 thoughts on “Adobe MAX: After Effects CC

  1. This is actually pretty exciting, Hopefully After Effects CC includes project sync as well or make it easier to share projects to other users which would make the community a bit more friendly. 🙂

    I think the Creative Cloud its actually a brilliant concept, and it gives software crackers a heck of a job since it’s working on a monthly subscription which gives everybody a unique key.

    Though I want to hear your opinion about Cineware, do you think its going to give VC’s Element 3D a punch ? aside from the OpenGL rendering that is…

    Great Post!

    -Fanna

    1. Yes, that would be awesome to be able to work more uniform with others in the same project! Unfortunately, the Creative Cloud still stores your application files locally on your hard drive, so I’m sure those crackers could prevent the monthly subscription checks with some mods. But the Creative Cloud does make it extremely affordable to obtain these products that won’t hurt your wallet! If anything, they’re trying to convert pirates into obtaining a legal copy instead of tightening anti-piracy.

      Cineware will definitely give Element 3D a punch. I feel like Element 3D appeals a lot more to users with little knowledge in C4D or those who are looking to integrate basic models with very little movement aside from position/rotation. It’s such a pain in the rear to rig stuff and animate multiple parts with Element 3D. I’m digging Cineware because I can do whatever the heck I want in C4D and it’ll translate over, especially the animation. For 3D Text though, I’d prefer Element 3D for it’s ease of use. Cineware for more serious 3D, Element for the basic text titles, basic models, and speed. I feel like I would use both in conjunction with each other as Element 3D is one of my favorite plugins to use!

      Plus, Element 3D will still hold strong as those 3DS Max/Maya users won’t benefit from Cineware 🙂

  2. At face value, and without digging deeper into this Cloud arrangement, all I can say is $600 a year is a show stopper for me. I understand the “cancel at anytime” bit, but I never know when I’m going to need AFX or PS and so would need them available all the time. And as far as the networking, sharing, updates part – so what? I get that now for free. Quite frankly, I’d be curious to see the market research that led to this decision because based on my business model and work flow, this seems like a stupid idea.

    1. I guess it varies on the person! I know for me, if I wasn’t sure when I’d use AE or PS, I’d prefer the monthly arrangement so I can pay/cancel when I need the product without commitment. I know some people who prefer to commit to the huge price one time and not waste any time in the middle.

      As for the updates, I’d prefer to receive major updates to features as I tend to use just about all of them at some point (such as AE’s Camera Tracker in CS6).I know the demand for the cloud isn’t quite there yet for the suites, Adobe is just trying hard to push everyone into their ecosystem completely. We shall see how well this turns out once everyone starts upgrading to the Creative Cloud.

    2. It doesn’t sound like you’re a very serious user, and that’s fine, but I think the majority of us who make a living off Adobe software know for certain that we’ll use AE, PS, AI and Premiere nearly every day. One good project will pay for a years subscription and them some. It’s fantastic value for money and I think it’s naive and ignorant to criticise the business model as a stupid idea.

  3. What people are not seeing is that after they stop their CC subscription, they no longer have access to “their” content. Adobe is licensing them access as long as the customer maintains a financial relationship with Adobe into perpetuity. With a perpetual license I can stop upgrading hardware and software and work my content until the day I die.

    For some of us the Creative Suite is not a business, it is our hobby, entertainment, TV – I go to CS to have fun and learn stuff. If upon retirement the cost cannot be maintained, by life’s work will be lost. In 10 or 20 years, what will the cost of CC subscription be?

    People are saying that we can maintain our old CS6 copy, but will that run on Windows14 in 15 years? So I have spent thousands over the years for my Photoshop and Premiere purchases, $2600 for my CS Master Suite license, an upgrade to it, and now a year of Creative Cloud fee’s. After spending more than $6000 over the years, I will now be left with NOTHING!

    And some of you think this a great step forward?

    1. You make a very valid point, we won’t be able to create new/open previous projects anymore if we retire our subscriptions. Unfortunately, I don’t think Adobe is thinking that far in that particular area, they’re focusing more on the people who make a business out of the suites. This would be a great question to ask Adobe actually.

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